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Cover for Virtues of Skin by Joe Weinberg, a photo of a woman in a bikini top and jean shorts with her bare skin covered in tattoos against a dark backdrop
Cover for Indigo Time, a classical painting of a lakeside castle; jagged tears across the landscape show a negative image within
Cover for XY-Girls and More Stories, an image of a woman from the back lit in pink and blue looking out over a dry, cracked desert toward a distant mountain lit by a starry sky and crescent moon
Cover art for Remains to be Seen, a drawing of a fancy yellow and blue house on a green background with an art deco-style border
Cover for The Stragori Deception, a silhouette of a person looking up at an orange and purple nebula superimposed with a red scene of a crowd holding up flags and torches
Cover art for Arming Freedom, an image of an orange-red nebula superimposed with an image of orange and blue DNA strands
Cover art for The Price of Memory and More Stories, a 3D illustration of an astronaut standing in a moss and flower-covered temple and facing an enormous statue of a woman with a flowing robe and a bare skull for her head
Cover art for Legends of Blades and Stories of Each Other by Lumen Quill, a digital illustration of a girl with blonde hair holding golden light in front of her and a magpie crashing through broken glass behind her; two shards show two characters with copper skin and glasses, one with red hair and one with white hair
Cover for The Bloodstone by Arlene F. Marks, a silhouette of a person standing in front of a nighttime path in a park covered with snow
Cover art for Mecha-Jesus and Other Stories, a sumi-e (Japanese ink painting) of an android and a dachshund standing by a cherry tree watching a rocket launch in the distance
Cover art for Blood of Gods by Simon A. G. Spencer, a small purple spaceship facing an enormous blue and gold spaceship above a green planet with a moon in the distance
Cover art for The Fabulist Play Cycle, a comic-style illustration of a woman standing on a beach holding a radio with a long antenna and wearing an old-fashioned globe space helmet
Cover art for Altaterra, a digital painting of a person standing on a hill overlooking a valley drenched in golden sunlight
Cover art for The Fragrance of Orchids and Other Stories by Sally McBride, a digital illustration of a person in an old-fashioned diving suit standing amongst the overgrown ruins of skyscrapers
Cover art for Elderra's Champion by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a purple and gold dress and holding a sword, standing in front of a bay with a rocky outcrop in the distance
Cover art for The Earthborn by Arlene F. Marks, a silhouette of a person standing in front of towering flames
Cover art for Crowbait by David Rae, a charcoal drawing of a man with a wide-brimmed hat and flowing cloak holding a bright light and a huge crow rising from his shadow
Cover art for Unseen by Cathy Hird, a semi-abstract painting in green and yellow of a cityscape
Cover art for The Nightingale's Tooth by Sally McBride, a digital painting of a river flowing through a mountainous land with a blue and orange starry sky above and reflected below
Cover art for Freedom's Myth by Stephen B. Pearl, an image of a golden nebula against a dark blue starscape superimposed with a dark green DNA strand
Cover art for Weekends Can Be Murder by Arlene F. Marks, a comic-style illustration of a red house with white trim with blue sky, green grass, and dark green trees around it, and a flock of crows flying above
Cover art for Between Death and a Hard Place by Joe Weinberg, an image of a woman in black with tattoos on her arms and fire covering her hand in front of the Minneapolis skyline at night
Cover art for Alium by Grady Lynch, a classic painting of a tree-lined lake in the mountains with a towering peak in the distance and deer grazing on the shore
Cover art for The Afghan Wedding by Gary Girod, a mashup of two photos, the bottom one of a woman in a hijab standing in a desert and the top one of a woman in winter gear standing on a plain of ice
Cover art for Wild Magic by Ieuan Ledger, an image of a man in a hoodie holding an open flame in his hand; on one side of him is a train and on the other is a verdant forest
Cover art for Imaginary Friends by Arlene F. Marks, a simplistic drawing of a man in a coat and hat standing in the snow and looking to the side; a second set of footprints in the snow parallels his own, with no one standing where they end
Cover art for Blight of the Arachna by D. Holden Kennon, a digital painting of a boy in a meadow looking up at a crouching stone creature reaching out to him; an enormous spider looms in the large trees in the background
Cover art for Live Nude Aliens by JD DeLuzio, a digital comic-style illustration of a bar with various people and alien figures sitting at or tending bar; an ominous childlike figure peeks in from outside
Cover art for Shadows of Slavery, a small, sleek spaceship facing off against a very large, bulky spaceship with a purple nebula behind
Cover art for Rebel Earth by Dale E. McClenning, a dark sky with a sunburst approaching through the clouds over a city with a dome over it
Cover art for Freedom's Law by Stephen B. Pearl, a blue and green nebula superimposed with a a glowing red DNA strand that is fracturing at the edges
Cover art for Adventures in Godhood by Arlene F. Marks, a blue spiral centred around a clock with a washing machine, a pigeon, a classic Arabian Nights-style lamp, and a book flying out of it
Cover art for Sins & Science by Natasha Tremblay, a blue screen with glowing computer text across the page; the shadow of a hand seems to be reaching out and blood splatters mar the bottom
Cover art for The Hard Side of the Moon by Hugh A. D. Spencer, an image of a man facing away from the viewer looking at a map of the Earth, with the Earth visible in the distance and a dusty grey ground below
Cover art for Blackout Odyssey by Victoria Feistner, a watercolour painting of a marquee resembling Honest Ed's in Toronto
Cover art for Crowtower by David Rae, a charcoal drawing of a crow perched atop a skull with bones around it at the base of an ominous, misty tower lit by moonlight through clouds
Cover art for Rose by Mike Bryant, an image of a dirty, scratched hand emerging from the earth holding a rose
Cover art for The Progressive Apparatus and More Fantasticals by Hugh A. D. Spencer, a close-up of the head of an old-fashioned robot with a view of stars in the background
Cover art for Cloning Freedom by Stephen B. Pearl, a purple nebula superimposed with a glowing blue image of a DNA strand
Cover art for The Con by JD DeLuzio, an image of a convention badge on a marble table top; there are stickers of a rocket ship and a strange alien on the badge and a button of Jane Austen on the lanyard
Cover art for Other London by Lumen Quill, an anime-style drawing of a girl with blonde hair, a pink sweater, and jeans with golden sparkles of magic around her hands standing in front of a very tall man with silver hair, a patchwork turtleneck, and a red scarf with lightning around his hand against a blue-grey backdrop
Cover art for Divided Earth by Dale E. McClenning, an image of the Earth and moon radiating blue-white energy at one pole and red-white energy at the other
Cover art for The Light Between Stars edited by Catherine Fitzsimmons, a greyscale photo of a woman in profile overlaid by an elaborate copper-coloured pattern; tagline: Stories of wonder and courage from the farthest stars to the ground beneath our feet
Cover art for The Unseen Force by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a green and yellow dress and holding a dagger; behind her stands a very tall woman in a pastel-coloured robe with the head of a fox with golden fur; a view of a mountain valley is in the background
Cover art for The Maiden Voyage of New York City, a photo of the NYC skyline with a heavy rainbow glow distorting the image
Cover art for Crowman by David Rae, a charcoal drawing of a crow emerging from a cloud of darkness, holding a bright light in its beak
Cover art for A Jewel on Sapphire by Catherine Fitzsimmons, a digital illustration of a girl in blue jeans and a blue and black shirt standing in front of windows that show a nebula
Cover art for Innocent Earth by Dale E. McClenning, an image of a flying saucer peeking over trees on the edge of a lake against a dark green, cloudy sky
Cover for Soul, Light, and Wings, a 3D rendered boy with white bird wings falling against a blue-grey backdrop
Cover art for Green Light to Paradise by J. R. Dwornik, an anime-style illustration of a woman in a purple shirt holding up her hand, in which floats a sickly green light; a cityscape lit in red looms behind
Cover art for Tinker's Sea by Stephen B. Pearl, a simplistic digital painting of a woman standing on a jetty looking out at a distant submarine on the water with a red sunset above
Cover art for Tinker's Plague by Stephen B. Pearl, a simplistic digital painting of a silhouette of a person walking down a road toward a distant village with a twilight sky above
Cover art for Why I Hunt Flying Saucers and Other Fantasticals by Hugh A. D. Spencer, a close-up of a grey alien head with space behind it; the Toronto skyline is reflected in its eye
Cover art for The Black Trillium by Simon McNeil, a 3D rendered image of a woman wearing leather with arm tattoos kneeling and holding a sword stabbed into the ground of a dirty alley
Cover art for Extreme Dentistry by Hugh A. D. Spencer, a low-light photo of the control panel for an electroshock therapy machine
Cover art for Enduring Chaos by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a red dress standing in front of a rocky outcrop with trees; purple and black smoke flows from her hand and takes the form of a woman with short black hair and a black dress
Cover art for Halcyon by Catherine Fitzsimmons, a 3D rendered cityscape with multiple tiers of roads full of cars and skyscrapers towering in all directions
Cover art for Ruins of Change, a digital painting of a woman in adventuring gear and holding up a torch inside an old stone tunnel; her shadow on the wall has pointed ears
Cover art for Aurius by Catherine Fitzsimmons, a painting of a young man in modern clothes standing beside a girl in a fantasy outfit and holding a staff; a man with long ears and black armour and cloak loom behind them; in the background, an airship floats over distant mountains
Science fiction
Cover art for The Con by JD DeLuzio, an image of a convention badge on a marble table top; there are stickers of a rocket ship and a strange alien on the badge and a button of Jane Austen on the lanyard
Cover art for Live Nude Aliens by JD DeLuzio, a digital comic-style illustration of a bar with various people and alien figures sitting at or tending bar; an ominous childlike figure peeks in from outside
Cover art for Green Light to Paradise by J. R. Dwornik, an anime-style illustration of a woman in a purple shirt holding up her hand, in which floats a sickly green light; a cityscape lit in red looms behind
Cover art for Halcyon by Catherine Fitzsimmons, a 3D rendered cityscape with multiple tiers of roads full of cars and skyscrapers towering in all directions
Cover art for A Jewel on Sapphire by Catherine Fitzsimmons, a digital illustration of a girl in blue jeans and a blue and black shirt standing in front of windows that show a nebula
Cover art for The Maiden Voyage of New York City, a photo of the NYC skyline with a heavy rainbow glow distorting the image
Cover art for The Afghan Wedding by Gary Girod, a mashup of two photos, the bottom one of a woman in a hijab standing in a desert and the top one of a woman in winter gear standing on a plain of ice
Cover art for Unseen by Cathy Hird, a semi-abstract painting in green and yellow of a cityscape
Cover art for Mecha-Jesus and Other Stories, a sumi-e (Japanese ink painting) of an android and a dachshund standing by a cherry tree watching a rocket launch in the distance
Cover for XY-Girls and More Stories, an image of a woman from the back lit in pink and blue looking out over a dry, cracked desert toward a distant mountain lit by a starry sky and crescent moon
Cover art for Adventures in Godhood by Arlene F. Marks, a blue spiral centred around a clock with a washing machine, a pigeon, a classic Arabian Nights-style lamp, and a book flying out of it
Cover art for Imaginary Friends by Arlene F. Marks, a simplistic drawing of a man in a coat and hat standing in the snow and looking to the side; a second set of footprints in the snow parallels his own, with no one standing where they end
Cover art for The Earthborn by Arlene F. Marks, a silhouette of a person standing in front of towering flames
Cover for The Bloodstone by Arlene F. Marks, a silhouette of a person standing in front of a nighttime path in a park covered with snow
Cover for The Stragori Deception, a silhouette of a person looking up at an orange and purple nebula superimposed with a red scene of a crowd holding up flags and torches
Cover art for The Fragrance of Orchids and Other Stories by Sally McBride, a digital illustration of a person in an old-fashioned diving suit standing amongst the overgrown ruins of skyscrapers
Cover art for The Price of Memory and More Stories, a 3D illustration of an astronaut standing in a moss and flower-covered temple and facing an enormous statue of a woman with a flowing robe and a bare skull for her head
Cover for Indigo Time, a classical painting of a lakeside castle; jagged tears across the landscape show a negative image within
Cover art for Innocent Earth by Dale E. McClenning, an image of a flying saucer peeking over trees on the edge of a lake against a dark green, cloudy sky
Cover art for Divided Earth by Dale E. McClenning, an image of the Earth and moon radiating blue-white energy at one pole and red-white energy at the other
Cover art for Rebel Earth by Dale E. McClenning, a dark sky with a sunburst approaching through the clouds over a city with a dome over it
Cover art for Altaterra, a digital painting of a person standing on a hill overlooking a valley drenched in golden sunlight
Cover art for Tinker's Plague by Stephen B. Pearl, a simplistic digital painting of a silhouette of a person walking down a road toward a distant village with a twilight sky above
Cover art for Tinker's Sea by Stephen B. Pearl, a simplistic digital painting of a woman standing on a jetty looking out at a distant submarine on the water with a red sunset above
Cover art for Cloning Freedom by Stephen B. Pearl, a purple nebula superimposed with a glowing blue image of a DNA strand
Cover art for Freedom's Law by Stephen B. Pearl, a blue and green nebula superimposed with a a glowing red DNA strand that is fracturing at the edges
Cover art for Freedom's Myth by Stephen B. Pearl, an image of a golden nebula against a dark blue starscape superimposed with a dark green DNA strand
Cover art for Arming Freedom, an image of an orange-red nebula superimposed with an image of orange and blue DNA strands
Cover art for Extreme Dentistry by Hugh A. D. Spencer, a low-light photo of the control panel for an electroshock therapy machine
Cover art for Why I Hunt Flying Saucers and Other Fantasticals by Hugh A. D. Spencer, a close-up of a grey alien head with space behind it; the Toronto skyline is reflected in its eye
Cover art for The Progressive Apparatus and More Fantasticals by Hugh A. D. Spencer, a close-up of the head of an old-fashioned robot with a view of stars in the background
Cover art for The Hard Side of the Moon by Hugh A. D. Spencer, an image of a man facing away from the viewer looking at a map of the Earth, with the Earth visible in the distance and a dusty grey ground below
Cover art for The Fabulist Play Cycle, a comic-style illustration of a woman standing on a beach holding a radio with a long antenna and wearing an old-fashioned globe space helmet
Cover art for Shadows of Slavery, a small, sleek spaceship facing off against a very large, bulky spaceship with a purple nebula behind
Cover art for Blood of Gods by Simon A. G. Spencer, a small purple spaceship facing an enormous blue and gold spaceship above a green planet with a moon in the distance
Cover art for Sins & Science by Natasha Tremblay, a blue screen with glowing computer text across the page; the shadow of a hand seems to be reaching out and blood splatters mar the bottom
Cover art for The Light Between Stars edited by Catherine Fitzsimmons, a greyscale photo of a woman in profile overlaid by an elaborate copper-coloured pattern; tagline: Stories of wonder and courage from the farthest stars to the ground beneath our feet
Fantasy
Cover art for Ruins of Change, a digital painting of a woman in adventuring gear and holding up a torch inside an old stone tunnel; her shadow on the wall has pointed ears
Cover art for Green Light to Paradise by J. R. Dwornik, an anime-style illustration of a woman in a purple shirt holding up her hand, in which floats a sickly green light; a cityscape lit in red looms behind
Cover art for Blackout Odyssey by Victoria Feistner, a watercolour painting of a marquee resembling Honest Ed's in Toronto
Cover art for Aurius by Catherine Fitzsimmons, a painting of a young man in modern clothes standing beside a girl in a fantasy outfit and holding a staff; a man with long ears and black armour and cloak loom behind them; in the background, an airship floats over distant mountains
Cover art for Enduring Chaos by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a red dress standing in front of a rocky outcrop with trees; purple and black smoke flows from her hand and takes the form of a woman with short black hair and a black dress
Cover art for The Unseen Force by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a green and yellow dress and holding a dagger; behind her stands a very tall woman in a pastel-coloured robe with the head of a fox with golden fur; a view of a mountain valley is in the background
Cover art for Elderra's Champion by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a purple and gold dress and holding a sword, standing in front of a bay with a rocky outcrop in the distance
Cover art for Blight of the Arachna by D. Holden Kennon, a digital painting of a boy in a meadow looking up at a crouching stone creature reaching out to him; an enormous spider looms in the large trees in the background
Cover art for Wild Magic by Ieuan Ledger, an image of a man in a hoodie holding an open flame in his hand; on one side of him is a train and on the other is a verdant forest
Cover art for Alium by Grady Lynch, a classic painting of a tree-lined lake in the mountains with a towering peak in the distance and deer grazing on the shore
Cover art for Imaginary Friends by Arlene F. Marks, a simplistic drawing of a man in a coat and hat standing in the snow and looking to the side; a second set of footprints in the snow parallels his own, with no one standing where they end
Cover art for The Earthborn by Arlene F. Marks, a silhouette of a person standing in front of towering flames
Cover for The Bloodstone by Arlene F. Marks, a silhouette of a person standing in front of a nighttime path in a park covered with snow
Cover art for The Nightingale's Tooth by Sally McBride, a digital painting of a river flowing through a mountainous land with a blue and orange starry sky above and reflected below
Cover art for The Fragrance of Orchids and Other Stories by Sally McBride, a digital illustration of a person in an old-fashioned diving suit standing amongst the overgrown ruins of skyscrapers
Cover art for The Price of Memory and More Stories, a 3D illustration of an astronaut standing in a moss and flower-covered temple and facing an enormous statue of a woman with a flowing robe and a bare skull for her head
Cover for Indigo Time, a classical painting of a lakeside castle; jagged tears across the landscape show a negative image within
Cover art for The Black Trillium by Simon McNeil, a 3D rendered image of a woman wearing leather with arm tattoos kneeling and holding a sword stabbed into the ground of a dirty alley
Cover art for Other London by Lumen Quill, an anime-style drawing of a girl with blonde hair, a pink sweater, and jeans with golden sparkles of magic around her hands standing in front of a very tall man with silver hair, a patchwork turtleneck, and a red scarf with lightning around his hand against a blue-grey backdrop
Cover art for Legends of Blades and Stories of Each Other by Lumen Quill, a digital illustration of a girl with blonde hair holding golden light in front of her and a magpie crashing through broken glass behind her; two shards show two characters with copper skin and glasses, one with red hair and one with white hair
Cover art for Crowman by David Rae, a charcoal drawing of a crow emerging from a cloud of darkness, holding a bright light in its beak
Cover art for Crowtower by David Rae, a charcoal drawing of a crow perched atop a skull with bones around it at the base of an ominous, misty tower lit by moonlight through clouds
Cover art for Crowbait by David Rae, a charcoal drawing of a man with a wide-brimmed hat and flowing cloak holding a bright light and a huge crow rising from his shadow
Cover for Soul, Light, and Wings, a 3D rendered boy with white bird wings falling against a blue-grey backdrop
Cover art for Between Death and a Hard Place by Joe Weinberg, an image of a woman in black with tattoos on her arms and fire covering her hand in front of the Minneapolis skyline at night
Cover for Virtues of Skin by Joe Weinberg, a photo of a woman in a bikini top and jean shorts with her bare skin covered in tattoos against a dark backdrop
Cover art for The Light Between Stars edited by Catherine Fitzsimmons, a greyscale photo of a woman in profile overlaid by an elaborate copper-coloured pattern; tagline: Stories of wonder and courage from the farthest stars to the ground beneath our feet
Horror
Cover art for Rose by Mike Bryant, an image of a dirty, scratched hand emerging from the earth holding a rose
Cover art for Live Nude Aliens by JD DeLuzio, a digital comic-style illustration of a bar with various people and alien figures sitting at or tending bar; an ominous childlike figure peeks in from outside
Cover art for Mecha-Jesus and Other Stories, a sumi-e (Japanese ink painting) of an android and a dachshund standing by a cherry tree watching a rocket launch in the distance
Cover art for Imaginary Friends by Arlene F. Marks, a simplistic drawing of a man in a coat and hat standing in the snow and looking to the side; a second set of footprints in the snow parallels his own, with no one standing where they end
Cover art for The Earthborn by Arlene F. Marks, a silhouette of a person standing in front of towering flames
Cover for The Bloodstone by Arlene F. Marks, a silhouette of a person standing in front of a nighttime path in a park covered with snow
Cover art for The Fragrance of Orchids and Other Stories by Sally McBride, a digital illustration of a person in an old-fashioned diving suit standing amongst the overgrown ruins of skyscrapers
Cover art for The Price of Memory and More Stories, a 3D illustration of an astronaut standing in a moss and flower-covered temple and facing an enormous statue of a woman with a flowing robe and a bare skull for her head
Cover art for Extreme Dentistry by Hugh A. D. Spencer, a low-light photo of the control panel for an electroshock therapy machine
Cover art for Sins & Science by Natasha Tremblay, a blue screen with glowing computer text across the page; the shadow of a hand seems to be reaching out and blood splatters mar the bottom
Post-apocalyptic
Cover art for Green Light to Paradise by J. R. Dwornik, an anime-style illustration of a woman in a purple shirt holding up her hand, in which floats a sickly green light; a cityscape lit in red looms behind
Cover art for The Maiden Voyage of New York City, a photo of the NYC skyline with a heavy rainbow glow distorting the image
Cover art for Blight of the Arachna by D. Holden Kennon, a digital painting of a boy in a meadow looking up at a crouching stone creature reaching out to him; an enormous spider looms in the large trees in the background
Cover art for Alium by Grady Lynch, a classic painting of a tree-lined lake in the mountains with a towering peak in the distance and deer grazing on the shore
Cover art for The Fragrance of Orchids and Other Stories by Sally McBride, a digital illustration of a person in an old-fashioned diving suit standing amongst the overgrown ruins of skyscrapers
Cover for Indigo Time, a classical painting of a lakeside castle; jagged tears across the landscape show a negative image within
Cover art for The Black Trillium by Simon McNeil, a 3D rendered image of a woman wearing leather with arm tattoos kneeling and holding a sword stabbed into the ground of a dirty alley
Cover art for Tinker's Plague by Stephen B. Pearl, a simplistic digital painting of a silhouette of a person walking down a road toward a distant village with a twilight sky above
Cover art for Tinker's Sea by Stephen B. Pearl, a simplistic digital painting of a woman standing on a jetty looking out at a distant submarine on the water with a red sunset above
Cover art for Crowman by David Rae, a charcoal drawing of a crow emerging from a cloud of darkness, holding a bright light in its beak
Cover art for Crowtower by David Rae, a charcoal drawing of a crow perched atop a skull with bones around it at the base of an ominous, misty tower lit by moonlight through clouds
Cover art for Crowbait by David Rae, a charcoal drawing of a man with a wide-brimmed hat and flowing cloak holding a bright light and a huge crow rising from his shadow
Cover art for Why I Hunt Flying Saucers and Other Fantasticals by Hugh A. D. Spencer, a close-up of a grey alien head with space behind it; the Toronto skyline is reflected in its eye
Cover art for The Progressive Apparatus and More Fantasticals by Hugh A. D. Spencer, a close-up of the head of an old-fashioned robot with a view of stars in the background
Cover for Soul, Light, and Wings, a 3D rendered boy with white bird wings falling against a blue-grey backdrop
Cover art for Sins & Science by Natasha Tremblay, a blue screen with glowing computer text across the page; the shadow of a hand seems to be reaching out and blood splatters mar the bottom
Cover art for The Light Between Stars edited by Catherine Fitzsimmons, a greyscale photo of a woman in profile overlaid by an elaborate copper-coloured pattern; tagline: Stories of wonder and courage from the farthest stars to the ground beneath our feet
Mystery
Cover art for Rose by Mike Bryant, an image of a dirty, scratched hand emerging from the earth holding a rose
Cover art for Unseen by Cathy Hird, a semi-abstract painting in green and yellow of a cityscape
Cover art for Wild Magic by Ieuan Ledger, an image of a man in a hoodie holding an open flame in his hand; on one side of him is a train and on the other is a verdant forest
Cover for XY-Girls and More Stories, an image of a woman from the back lit in pink and blue looking out over a dry, cracked desert toward a distant mountain lit by a starry sky and crescent moon
Cover art for Weekends Can Be Murder by Arlene F. Marks, a comic-style illustration of a red house with white trim with blue sky, green grass, and dark green trees around it, and a flock of crows flying above
Cover art for Remains to be Seen, a drawing of a fancy yellow and blue house on a green background with an art deco-style border
Cover art for The Fragrance of Orchids and Other Stories by Sally McBride, a digital illustration of a person in an old-fashioned diving suit standing amongst the overgrown ruins of skyscrapers
Cover art for The Price of Memory and More Stories, a 3D illustration of an astronaut standing in a moss and flower-covered temple and facing an enormous statue of a woman with a flowing robe and a bare skull for her head
Cover art for Between Death and a Hard Place by Joe Weinberg, an image of a woman in black with tattoos on her arms and fire covering her hand in front of the Minneapolis skyline at night
Cover for Virtues of Skin by Joe Weinberg, a photo of a woman in a bikini top and jean shorts with her bare skin covered in tattoos against a dark backdrop
Literary
Cover art for The Con by JD DeLuzio, an image of a convention badge on a marble table top; there are stickers of a rocket ship and a strange alien on the badge and a button of Jane Austen on the lanyard
Cover art for Live Nude Aliens by JD DeLuzio, a digital comic-style illustration of a bar with various people and alien figures sitting at or tending bar; an ominous childlike figure peeks in from outside
Cover art for Blackout Odyssey by Victoria Feistner, a watercolour painting of a marquee resembling Honest Ed's in Toronto
Cover art for The Afghan Wedding by Gary Girod, a mashup of two photos, the bottom one of a woman in a hijab standing in a desert and the top one of a woman in winter gear standing on a plain of ice
Cover art for Weekends Can Be Murder by Arlene F. Marks, a comic-style illustration of a red house with white trim with blue sky, green grass, and dark green trees around it, and a flock of crows flying above
Cover art for Remains to be Seen, a drawing of a fancy yellow and blue house on a green background with an art deco-style border
Cover art for The Nightingale's Tooth by Sally McBride, a digital painting of a river flowing through a mountainous land with a blue and orange starry sky above and reflected below
Cover art for The Fabulist Play Cycle, a comic-style illustration of a woman standing on a beach holding a radio with a long antenna and wearing an old-fashioned globe space helmet
Cover art for The Hard Side of the Moon by Hugh A. D. Spencer, an image of a man facing away from the viewer looking at a map of the Earth, with the Earth visible in the distance and a dusty grey ground below
Short stories
Cover art for The Con by JD DeLuzio, an image of a convention badge on a marble table top; there are stickers of a rocket ship and a strange alien on the badge and a button of Jane Austen on the lanyard
Cover art for Live Nude Aliens by JD DeLuzio, a digital comic-style illustration of a bar with various people and alien figures sitting at or tending bar; an ominous childlike figure peeks in from outside
Cover art for Mecha-Jesus and Other Stories, a sumi-e (Japanese ink painting) of an android and a dachshund standing by a cherry tree watching a rocket launch in the distance
Cover for XY-Girls and More Stories, an image of a woman from the back lit in pink and blue looking out over a dry, cracked desert toward a distant mountain lit by a starry sky and crescent moon
Cover art for Imaginary Friends by Arlene F. Marks, a simplistic drawing of a man in a coat and hat standing in the snow and looking to the side; a second set of footprints in the snow parallels his own, with no one standing where they end
Cover art for The Fragrance of Orchids and Other Stories by Sally McBride, a digital illustration of a person in an old-fashioned diving suit standing amongst the overgrown ruins of skyscrapers
Cover art for The Price of Memory and More Stories, a 3D illustration of an astronaut standing in a moss and flower-covered temple and facing an enormous statue of a woman with a flowing robe and a bare skull for her head
Cover art for The Fabulist Play Cycle, a comic-style illustration of a woman standing on a beach holding a radio with a long antenna and wearing an old-fashioned globe space helmet
Cover art for The Progressive Apparatus and More Fantasticals by Hugh A. D. Spencer, a close-up of the head of an old-fashioned robot with a view of stars in the background
Cover art for Why I Hunt Flying Saucers and Other Fantasticals by Hugh A. D. Spencer, a close-up of a grey alien head with space behind it; the Toronto skyline is reflected in its eye
Cover art for The Light Between Stars edited by Catherine Fitzsimmons, a greyscale photo of a woman in profile overlaid by an elaborate copper-coloured pattern; tagline: Stories of wonder and courage from the farthest stars to the ground beneath our feet
Canadian
Cover art for Rose by Mike Bryant, an image of a dirty, scratched hand emerging from the earth holding a rose
Cover art for The Con by JD DeLuzio, an image of a convention badge on a marble table top; there are stickers of a rocket ship and a strange alien on the badge and a button of Jane Austen on the lanyard
Cover art for Live Nude Aliens by JD DeLuzio, a digital comic-style illustration of a bar with various people and alien figures sitting at or tending bar; an ominous childlike figure peeks in from outside
Cover art for Green Light to Paradise by J. R. Dwornik, an anime-style illustration of a woman in a purple shirt holding up her hand, in which floats a sickly green light; a cityscape lit in red looms behind
Cover art for Ruins of Change, a digital painting of a woman in adventuring gear and holding up a torch inside an old stone tunnel; her shadow on the wall has pointed ears
Cover art for Blackout Odyssey by Victoria Feistner, a watercolour painting of a marquee resembling Honest Ed's in Toronto
Cover art for Aurius by Catherine Fitzsimmons, a painting of a young man in modern clothes standing beside a girl in a fantasy outfit and holding a staff; a man with long ears and black armour and cloak loom behind them; in the background, an airship floats over distant mountains
Cover art for Halcyon by Catherine Fitzsimmons, a 3D rendered cityscape with multiple tiers of roads full of cars and skyscrapers towering in all directions
Cover art for A Jewel on Sapphire by Catherine Fitzsimmons, a digital illustration of a girl in blue jeans and a blue and black shirt standing in front of windows that show a nebula
Cover art for Enduring Chaos by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a red dress standing in front of a rocky outcrop with trees; purple and black smoke flows from her hand and takes the form of a woman with short black hair and a black dress
Cover art for The Unseen Force by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a green and yellow dress and holding a dagger; behind her stands a very tall woman in a pastel-coloured robe with the head of a fox with golden fur; a view of a mountain valley is in the background
Cover art for Elderra's Champion by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a purple and gold dress and holding a sword, standing in front of a bay with a rocky outcrop in the distance
Cover art for Unseen by Cathy Hird, a semi-abstract painting in green and yellow of a cityscape
Cover art for Mecha-Jesus and Other Stories, a sumi-e (Japanese ink painting) of an android and a dachshund standing by a cherry tree watching a rocket launch in the distance
Cover for XY-Girls and More Stories, an image of a woman from the back lit in pink and blue looking out over a dry, cracked desert toward a distant mountain lit by a starry sky and crescent moon
Cover art for Adventures in Godhood by Arlene F. Marks, a blue spiral centred around a clock with a washing machine, a pigeon, a classic Arabian Nights-style lamp, and a book flying out of it
Cover for The Bloodstone by Arlene F. Marks, a silhouette of a person standing in front of a nighttime path in a park covered with snow
Cover art for The Earthborn by Arlene F. Marks, a silhouette of a person standing in front of towering flames
Cover art for Imaginary Friends by Arlene F. Marks, a simplistic drawing of a man in a coat and hat standing in the snow and looking to the side; a second set of footprints in the snow parallels his own, with no one standing where they end
Cover art for Remains to be Seen, a drawing of a fancy yellow and blue house on a green background with an art deco-style border
Cover for The Stragori Deception, a silhouette of a person looking up at an orange and purple nebula superimposed with a red scene of a crowd holding up flags and torches
Cover art for Weekends Can Be Murder by Arlene F. Marks, a comic-style illustration of a red house with white trim with blue sky, green grass, and dark green trees around it, and a flock of crows flying above
Cover art for The Fragrance of Orchids and Other Stories by Sally McBride, a digital illustration of a person in an old-fashioned diving suit standing amongst the overgrown ruins of skyscrapers
Cover for Indigo Time, a classical painting of a lakeside castle; jagged tears across the landscape show a negative image within
Cover art for The Nightingale's Tooth by Sally McBride, a digital painting of a river flowing through a mountainous land with a blue and orange starry sky above and reflected below
Cover art for The Price of Memory and More Stories, a 3D illustration of an astronaut standing in a moss and flower-covered temple and facing an enormous statue of a woman with a flowing robe and a bare skull for her head
Cover art for The Black Trillium by Simon McNeil, a 3D rendered image of a woman wearing leather with arm tattoos kneeling and holding a sword stabbed into the ground of a dirty alley
Cover art for Tinker's Plague by Stephen B. Pearl, a simplistic digital painting of a silhouette of a person walking down a road toward a distant village with a twilight sky above
Cover art for Tinker's Sea by Stephen B. Pearl, a simplistic digital painting of a woman standing on a jetty looking out at a distant submarine on the water with a red sunset above
Cover art for Cloning Freedom by Stephen B. Pearl, a purple nebula superimposed with a glowing blue image of a DNA strand
Cover art for Freedom's Law by Stephen B. Pearl, a blue and green nebula superimposed with a a glowing red DNA strand that is fracturing at the edges
Cover art for Freedom's Myth by Stephen B. Pearl, an image of a golden nebula against a dark blue starscape superimposed with a dark green DNA strand
Cover art for Arming Freedom, an image of an orange-red nebula superimposed with an image of orange and blue DNA strands
Cover art for Other London by Lumen Quill, an anime-style drawing of a girl with blonde hair, a pink sweater, and jeans with golden sparkles of magic around her hands standing in front of a very tall man with silver hair, a patchwork turtleneck, and a red scarf with lightning around his hand against a blue-grey backdrop
Cover art for Legends of Blades and Stories of Each Other by Lumen Quill, a digital illustration of a girl with blonde hair holding golden light in front of her and a magpie crashing through broken glass behind her; two shards show two characters with copper skin and glasses, one with red hair and one with white hair
Cover art for Extreme Dentistry by Hugh A. D. Spencer, a low-light photo of the control panel for an electroshock therapy machine
Cover art for The Fabulist Play Cycle, a comic-style illustration of a woman standing on a beach holding a radio with a long antenna and wearing an old-fashioned globe space helmet
Cover art for The Hard Side of the Moon by Hugh A. D. Spencer, an image of a man facing away from the viewer looking at a map of the Earth, with the Earth visible in the distance and a dusty grey ground below
Cover art for The Progressive Apparatus and More Fantasticals by Hugh A. D. Spencer, a close-up of the head of an old-fashioned robot with a view of stars in the background
Cover art for Why I Hunt Flying Saucers and Other Fantasticals by Hugh A. D. Spencer, a close-up of a grey alien head with space behind it; the Toronto skyline is reflected in its eye
Cover art for Shadows of Slavery, a small, sleek spaceship facing off against a very large, bulky spaceship with a purple nebula behind
Cover art for Blood of Gods by Simon A. G. Spencer, a small purple spaceship facing an enormous blue and gold spaceship above a green planet with a moon in the distance
Cover for Soul, Light, and Wings, a 3D rendered boy with white bird wings falling against a blue-grey backdrop
Cover art for Sins & Science by Natasha Tremblay, a blue screen with glowing computer text across the page; the shadow of a hand seems to be reaching out and blood splatters mar the bottom
Cover art for The Light Between Stars edited by Catherine Fitzsimmons, a greyscale photo of a woman in profile overlaid by an elaborate copper-coloured pattern; tagline: Stories of wonder and courage from the farthest stars to the ground beneath our feet
YA/Light novel
Cover art for Green Light to Paradise by J. R. Dwornik, an anime-style illustration of a woman in a purple shirt holding up her hand, in which floats a sickly green light; a cityscape lit in red looms behind
Cover art for Aurius by Catherine Fitzsimmons, a painting of a young man in modern clothes standing beside a girl in a fantasy outfit and holding a staff; a man with long ears and black armour and cloak loom behind them; in the background, an airship floats over distant mountains
Cover art for Enduring Chaos by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a red dress standing in front of a rocky outcrop with trees; purple and black smoke flows from her hand and takes the form of a woman with short black hair and a black dress
Cover art for The Unseen Force by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a green and yellow dress and holding a dagger; behind her stands a very tall woman in a pastel-coloured robe with the head of a fox with golden fur; a view of a mountain valley is in the background
Cover art for Elderra's Champion by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a purple and gold dress and holding a sword, standing in front of a bay with a rocky outcrop in the distance
Cover art for The Afghan Wedding by Gary Girod, a mashup of two photos, the bottom one of a woman in a hijab standing in a desert and the top one of a woman in winter gear standing on a plain of ice
Cover art for Blight of the Arachna by D. Holden Kennon, a digital painting of a boy in a meadow looking up at a crouching stone creature reaching out to him; an enormous spider looms in the large trees in the background
Cover art for The Nightingale's Tooth by Sally McBride, a digital painting of a river flowing through a mountainous land with a blue and orange starry sky above and reflected below
Cover art for The Black Trillium by Simon McNeil, a 3D rendered image of a woman wearing leather with arm tattoos kneeling and holding a sword stabbed into the ground of a dirty alley
Kids
Cover art for A Jewel on Sapphire by Catherine Fitzsimmons, a digital illustration of a girl in blue jeans and a blue and black shirt standing in front of windows that show a nebula
Cover art for Other London by Lumen Quill, an anime-style drawing of a girl with blonde hair, a pink sweater, and jeans with golden sparkles of magic around her hands standing in front of a very tall man with silver hair, a patchwork turtleneck, and a red scarf with lightning around his hand against a blue-grey backdrop
Cover art for Legends of Blades and Stories of Each Other by Lumen Quill, a digital illustration of a girl with blonde hair holding golden light in front of her and a magpie crashing through broken glass behind her; two shards show two characters with copper skin and glasses, one with red hair and one with white hair
Humour
Cover art for Rose by Mike Bryant, an image of a dirty, scratched hand emerging from the earth holding a rose
Cover art for The Con by JD DeLuzio, an image of a convention badge on a marble table top; there are stickers of a rocket ship and a strange alien on the badge and a button of Jane Austen on the lanyard
Cover art for Green Light to Paradise by J. R. Dwornik, an anime-style illustration of a woman in a purple shirt holding up her hand, in which floats a sickly green light; a cityscape lit in red looms behind
Cover art for Blackout Odyssey by Victoria Feistner, a watercolour painting of a marquee resembling Honest Ed's in Toronto
Cover art for Adventures in Godhood by Arlene F. Marks, a blue spiral centred around a clock with a washing machine, a pigeon, a classic Arabian Nights-style lamp, and a book flying out of it
Cover art for Other London by Lumen Quill, an anime-style drawing of a girl with blonde hair, a pink sweater, and jeans with golden sparkles of magic around her hands standing in front of a very tall man with silver hair, a patchwork turtleneck, and a red scarf with lightning around his hand against a blue-grey backdrop
Cover art for Legends of Blades and Stories of Each Other by Lumen Quill, a digital illustration of a girl with blonde hair holding golden light in front of her and a magpie crashing through broken glass behind her; two shards show two characters with copper skin and glasses, one with red hair and one with white hair
Cover art for Extreme Dentistry by Hugh A. D. Spencer, a low-light photo of the control panel for an electroshock therapy machine
Cover art for The Fabulist Play Cycle, a comic-style illustration of a woman standing on a beach holding a radio with a long antenna and wearing an old-fashioned globe space helmet
Cover art for The Hard Side of the Moon by Hugh A. D. Spencer, an image of a man facing away from the viewer looking at a map of the Earth, with the Earth visible in the distance and a dusty grey ground below
Cover art for The Progressive Apparatus and More Fantasticals by Hugh A. D. Spencer, a close-up of the head of an old-fashioned robot with a view of stars in the background
Cover art for Sins & Science by Natasha Tremblay, a blue screen with glowing computer text across the page; the shadow of a hand seems to be reaching out and blood splatters mar the bottom
Cover art for Why I Hunt Flying Saucers and Other Fantasticals by Hugh A. D. Spencer, a close-up of a grey alien head with space behind it; the Toronto skyline is reflected in its eye
2SLGBTQIA+
Cover art for The Con by JD DeLuzio, an image of a convention badge on a marble table top; there are stickers of a rocket ship and a strange alien on the badge and a button of Jane Austen on the lanyard
Cover art for Live Nude Aliens by JD DeLuzio, a digital comic-style illustration of a bar with various people and alien figures sitting at or tending bar; an ominous childlike figure peeks in from outside
Cover art for The Afghan Wedding by Gary Girod, a mashup of two photos, the bottom one of a woman in a hijab standing in a desert and the top one of a woman in winter gear standing on a plain of ice
Cover art for Unseen by Cathy Hird, a semi-abstract painting in green and yellow of a cityscape
Cover art for Blight of the Arachna by D. Holden Kennon, a digital painting of a boy in a meadow looking up at a crouching stone creature reaching out to him; an enormous spider looms in the large trees in the background
Cover art for Wild Magic by Ieuan Ledger, an image of a man in a hoodie holding an open flame in his hand; on one side of him is a train and on the other is a verdant forest
Cover art for Adventures in Godhood by Arlene F. Marks, a blue spiral centred around a clock with a washing machine, a pigeon, a classic Arabian Nights-style lamp, and a book flying out of it
Cover for XY-Girls and More Stories, an image of a woman from the back lit in pink and blue looking out over a dry, cracked desert toward a distant mountain lit by a starry sky and crescent moon
Cover for The Bloodstone by Arlene F. Marks, a silhouette of a person standing in front of a nighttime path in a park covered with snow
Cover art for Remains to be Seen, a drawing of a fancy yellow and blue house on a green background with an art deco-style border
Cover art for Other London by Lumen Quill, an anime-style drawing of a girl with blonde hair, a pink sweater, and jeans with golden sparkles of magic around her hands standing in front of a very tall man with silver hair, a patchwork turtleneck, and a red scarf with lightning around his hand against a blue-grey backdrop
Cover art for Legends of Blades and Stories of Each Other by Lumen Quill, a digital illustration of a girl with blonde hair holding golden light in front of her and a magpie crashing through broken glass behind her; two shards show two characters with copper skin and glasses, one with red hair and one with white hair
Cover art for Sins & Science by Natasha Tremblay, a blue screen with glowing computer text across the page; the shadow of a hand seems to be reaching out and blood splatters mar the bottom
Cover art for Between Death and a Hard Place by Joe Weinberg, an image of a woman in black with tattoos on her arms and fire covering her hand in front of the Minneapolis skyline at night
Cover for Virtues of Skin by Joe Weinberg, a photo of a woman in a bikini top and jean shorts with her bare skin covered in tattoos against a dark backdrop
Series

Ongoing

Cover art for Weekends Can Be Murder by Arlene F. Marks, a comic-style illustration of a red house with white trim with blue sky, green grass, and dark green trees around it, and a flock of crows flying above
Cover art for Remains to be Seen, a drawing of a fancy yellow and blue house on a green background with an art deco-style border
Cover art for The Earthborn by Arlene F. Marks, a silhouette of a person standing in front of towering flames
Cover for The Bloodstone by Arlene F. Marks, a silhouette of a person standing in front of a nighttime path in a park covered with snow
Cover art for Tinker's Plague by Stephen B. Pearl, a simplistic digital painting of a silhouette of a person walking down a road toward a distant village with a twilight sky above
Cover art for Tinker's Sea by Stephen B. Pearl, a simplistic digital painting of a woman standing on a jetty looking out at a distant submarine on the water with a red sunset above
Cover art for Cloning Freedom by Stephen B. Pearl, a purple nebula superimposed with a glowing blue image of a DNA strand
Cover art for Freedom's Law by Stephen B. Pearl, a blue and green nebula superimposed with a a glowing red DNA strand that is fracturing at the edges
Cover art for Freedom's Myth by Stephen B. Pearl, an image of a golden nebula against a dark blue starscape superimposed with a dark green DNA strand
Cover art for Arming Freedom, an image of an orange-red nebula superimposed with an image of orange and blue DNA strands
Cover art for Other London by Lumen Quill, an anime-style drawing of a girl with blonde hair, a pink sweater, and jeans with golden sparkles of magic around her hands standing in front of a very tall man with silver hair, a patchwork turtleneck, and a red scarf with lightning around his hand against a blue-grey backdrop
Cover art for Legends of Blades and Stories of Each Other by Lumen Quill, a digital illustration of a girl with blonde hair holding golden light in front of her and a magpie crashing through broken glass behind her; two shards show two characters with copper skin and glasses, one with red hair and one with white hair
Cover art for Shadows of Slavery, a small, sleek spaceship facing off against a very large, bulky spaceship with a purple nebula behind
Cover art for Blood of Gods by Simon A. G. Spencer, a small purple spaceship facing an enormous blue and gold spaceship above a green planet with a moon in the distance
Cover art for Between Death and a Hard Place by Joe Weinberg, an image of a woman in black with tattoos on her arms and fire covering her hand in front of the Minneapolis skyline at night
Cover for Virtues of Skin by Joe Weinberg, a photo of a woman in a bikini top and jean shorts with her bare skin covered in tattoos against a dark backdrop

Complete

Cover art for Enduring Chaos by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a red dress standing in front of a rocky outcrop with trees; purple and black smoke flows from her hand and takes the form of a woman with short black hair and a black dress
Cover art for The Unseen Force by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a green and yellow dress and holding a dagger; behind her stands a very tall woman in a pastel-coloured robe with the head of a fox with golden fur; a view of a mountain valley is in the background
Cover art for Elderra's Champion by Catherine Fitzsimmons, a digital painting of a woman with auburn hair and a purple and gold dress and holding a sword, standing in front of a bay with a rocky outcrop in the distance
Cover art for Innocent Earth by Dale E. McClenning, an image of a flying saucer peeking over trees on the edge of a lake against a dark green, cloudy sky
Cover art for Divided Earth by Dale E. McClenning, an image of the Earth and moon radiating blue-white energy at one pole and red-white energy at the other
Cover art for Rebel Earth by Dale E. McClenning, a dark sky with a sunburst approaching through the clouds over a city with a dome over it
Cover art for Crowman by David Rae, a charcoal drawing of a crow emerging from a cloud of darkness, holding a bright light in its beak
Cover art for Crowtower by David Rae, a charcoal drawing of a crow perched atop a skull with bones around it at the base of an ominous, misty tower lit by moonlight through clouds
Cover art for Crowbait by David Rae, a charcoal drawing of a man with a wide-brimmed hat and flowing cloak holding a bright light and a huge crow rising from his shadow